My quick rating – 6.1/10. I flipped on The Watchers, knowing it was the directorial debut of Ishana Shyamalan, daughter of M. Night Shyamalan. Thankfully, I didn’t see a case of “nepo baby sleepwalking through a movie.” Her direction is confident, and she clearly understands pacing and atmosphere. Knowing how to let tension simmer rather than scream at you just works in this flick. The story is very much within familiar survival horror territory, but its setting and characters prevent it from feeling like something you’ve seen a dozen times already.
Dakota Fanning plays Mina, and she is very good in the part. She’s resourceful, believable, and avoids the horror movie trope of people forgetting how to walk when something scary happens. The rest of the cast – Georgina Campbell, Oliver Finnegan, Olwen Fouere – round out the trapped, all bringing just enough character to the film that I cared, well, a little, which of them would survive when things inevitably went wrong.
One of the film’s biggest strengths is the setting. That Irish forest is gorgeous. You might even forget it’s actively trying to kill everyone. Cinematographer Eli Arenson does some nice work, capturing sweeping shots that make the wilderness feel both magical and deeply unsettling. The constant play between light and shadow gives The Watchers a moody, fairy-tale-gone-wrong vibe that works really well.
Of course, this being a Shyamalan-adjacent project, there’s a twist. And yes, you’ll probably see it coming. That’s the downside of carrying that last name. Expectations are sky-high. The twist isn’t bad, it just doesn’t hit with the “oh damn” energy needed to push the movie into something great. It lands more in “yeah, that was my guess” territory, which is a bit of a letdown after such a strong buildup.
The horror itself is handled with a pretty gentle touch. This is less of a nightmare and more eerie bedtime story, making it surprisingly family-friendly. That restraint helps the atmosphere, but us hardcore horror fans definitely wanted Shyamalan to take a bloodier bite. Still, the tension is steady, and I never found myself losing interest.
In the end, The Watchers is a visually striking, well-acted debut that shows real promise. It doesn’t fully capitalize on its concept, but it’s engaging and original. A solid launching point for Ishana Shyamalan’s career in my eyes. And if you’re picking up on some extra meaning behind the whole “everyone is watching” vibe…Yeah, I seriously doubt that was a social mistake.
