My quick rating – 4.9/10. In Through the Door, director Matt Kincses proves that you don’t need a massive budget to deliver a compelling sci-fi narrative. Set almost entirely inside a cryptic warehouse, the film follows a content creator documenting what initially seems like a fringe experiment but quickly spirals into a mind-bending time travel tale. The setup is minimal, but the ambition is clear, and more often than not, it pays off.
The film explores the concept of a mysterious time portal, one that gives desperate souls the chance to be reborn, starting life over again from birth with no memory of their previous selves. It’s a bold and thought-provoking premise that flirts with science fiction and metaphysical questions about identity, regret, and second chances. The script doesn’t go as deep as it could in exploring these themes, but it lays enough groundwork to make the viewer stop and ponder: Would you do it?
Lola Claire stars as Jane, a 23-year-old grappling with whether her life is already beyond repair. Her motivation to reset her existence might seem a bit forced or underdeveloped, but her performance carries enough emotional weight to keep the character grounded. The supporting cast, while not spectacular, is serviceable and fits the stripped-down nature of the production.
What really stands out to me is how the film embraces its limitations. Rather than relying on cheap visual effects to represent the more surreal elements—like the enigmatic, power-wielding “guard” who tries to prevent interference in the timeline—Kincses leans into suggestion and performance. A simple raised hand from this mysterious figure speaks louder than any bargain-bin CGI. Sure, it’s a little hokey at times, but it’s also strangely more effective than the alternative.
That said, Through the Door isn’t without flaws. The pacing lags in sections, especially when the characters are just meandering through the warehouse and interacting with the overly cryptic “gatekeeper.” The tension never quite escalates the way it could, and there’s a feeling that the film is one or two rewrites away from something truly impactful. Still, there are enough twists peppered in to maintain interest, and the film’s central question keeps the narrative afloat.
Is it pure time travel? Is it multiverse theory? The film doesn’t draw clear lines, and while that might bug some viewers, others may appreciate the ambiguity. Either way, the ideas at play are interesting enough to elevate the film beyond its budgetary constraints.
Through the Door isn’t a home run, but it’s a commendable indie sci-fi effort that respects its audience’s intelligence and doesn’t try to overreach. For fans of low-budget genre films and time travel conundrums, it’s definitely worth a watch—even if just to see how creative choices can outshine flashy effects.
As of now, Amazon is your go-to streamer but I’ll link Justwatch for future reference.