My quick rating – 4.7/10. Grizzly Night is the rare “based on a true story” survival thriller that doesn’t try to turn nature into a CGI supervillain, and for that alone, it earns a respectful nod from me. Preferably from a safe distance, inside a locked vehicle, with the windows up. Directed by Burke Doeren, the film recounts the real events of August 12, 1967, when two fatal grizzly bear attacks occurred nine miles apart in Montana’s Glacier National Park. Same night, same park, very bad luck, zero common sense.
Right from the opening scene, the movie signals what kind of ride you’re in for. Realistic, tense, and not interested in turning the bears into horror movie slashers with fur. This isn’t Cocaine Bear or Grizzly Rage 9: Campground Carnage. It plays more like a dramatic procedural survival thriller, focused on human decisions, and the horrifying realization that nature does not care about your camping itinerary.
The structure is effective. A little preview to get us started up front, and we come back around about half an hour later with the context, the dread, and the growing realization that a few of these individuals here shouldn’t be permitted anywhere near the wildlife without a release form and a chaperone. The way it handles the unpreparedness of the park for dealing with the multiple animal assaults is quite good.
Visually, this is where the film really shines. The cinematography by Brian Mitchell and Ian Start captures Glacier National Park as both breathtaking and deeply intimidating. The wide framing constantly reminds you how small and snack-sized humans are out there. The scale works in the movie’s favor. Every tree line feels like a possible jump-scare waiting room. The mix of practical effects and what appears to be real bear footage adds a gritty authenticity. The post-attack effects are especially well done. Brutal without feeling cartoonish. I’ll admit I wanted a bit more on-screen attack action, but what we do get is convincing and handled with restraint.
Lauren Call (Joan) – thrust into reluctant-hero territory – delivers a strong performance, selling the fear and responsibility arc nicely. And yes, it was fun seeing Brec Bassinger (Stargirl) show up as Julie, one of the campers whose decision-making skills strongly suggest she would also try to pet a chainsaw. She does well, though. Believable, earnest, and exactly the kind of character who makes you yell at the screen.
The darkest, most fascinating part is the historical mindset. Many people at the time genuinely underestimated grizzly danger. Modern viewers will spend half the movie thinking, “Congratulations, you have invented the Bad Idea Olympics.” But Grizzly Night backs this up with contextual detail, so the questionable choices feel historically accurate rather than lazily written.
No over-the-top monster mayhem here. Just a sober, well-shot reminder that apex predators don’t need a musical score to be terrifying. Recommended for fans of killer animal flicks, survival dramas, or movies that will make you think twice about having a picnic, ever again. Definitely a 0/10 for vacation inspiration.
