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Imaginary (2024)

If you’re brave enough to face predictable scares, flat exposition, and a bear that’s somehow both cute and aggressively underwhelming, hit play #jackmeatsflix

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Huesera: The Bone Woman (2023)

My watchlist is littered with foreign flix such as this moody meditation on motherhood and identity, dressed up with occasional skeletal cracking. #jackmeatsflix

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The Shrouds (2025)

Possibly Cronenberg’s final film is a fittingly morbid yet thoughtful meditation on death, technology, and the strange ways we attempt to keep loss at bay. #jackmeatsflix

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Speak No Evil (2022) vs Speak No Evil (2024)

Trying something new since these two are nearly identical in story, with very different finales, so separate reviews would have been redundant. #jackmeatsflix

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Blondes Have More Guns (1996)

Blondes Have More Guns isn’t high art it is a low-budget, high-gag-density spoof with a soft spot for silliness and sex jokes. #jackmeatsflix

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Aftershock (2012)

Eli Roth spends more time in front of the camera in this messy and uneven disaster flick with a mean streak. #jackmeatsflix

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Final Destination: Bloodlines (2025)

Death’s still got a flair for the dramatic and a bloodlust for architecture. If you are like me, that is a good thing. #jackmeatsflix

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Diablo (2025)

This popcorn flick doesn’t rewrite the script but it features tight choreography, intense one-on-one fights, and the chops of two action veterans. #jackmeatsflix

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Cuckoo (2024)

Cuckoo is an odd, artistic trip that is more about the atmosphere and the creepy sense that something is very wrong in this isolated place. #jackmeatsflix